Reasons to (Not) be Cheerful:
- Sweltering summer weather (courtesy of James Inhofe, who at least had the decency to die recently. Keep up the good work, Jim! Won't miss ya! #pissonjimsgrave), and
- The lack of quiet central air conditioning (this one's all on me)
Thus, I'm left to report on some music I listened to this past winter, which you might understandably not be inclined to listen to in the hot weather.
Muddy Waters: Anthology 1947-72 (2001)
Muddy had to play in the summer before AC was widely available. You'd think simple empathy would encourage me to at least listen to it in July, but no. It just makes me feel hotter.
So it's not your summer picnic music. But what it is is primal. It packs more punch per CD than the BB King box set I was raving about last year. And it's sharper than the Sonny Boy Williamson record from the same post. And because of his electric guitar, it's more impactful than his own acoustic Plantation Recordings record.
Oddly, I find I prefer Muddy in the studio rather than live. I caught him in 1978, when he leaned into his faster crowd pleasures, like "I Got My Mojo Working". Here he's basically alone with his electric slide, telling you his troubles and there ain't no white college students around pretending they can empathize. He's telling you the bitter truth, to no applause.
This two-disc set is less comprehensive but takes up less room than the three-disc Chess Box Set. You see? I'm learnin'!
And yes, it all sounds the same, more or less. You gotta problem with that?
Not for an afternoon with friends in the Hamptons. Try it in January when the credit card bills start coming in. Then queue up Martin Mull.
A
The Quintet: Hot House: The Complete Jazz and Massey Hall Recordings (2023)
This is a recording of what some consider "the greatest jazz concert ever", aka "Jazz at Massey Hall". There are numerous incarnations of the event but this purports to be the entire concert, with improved sound.
And they've all brought their A-game. Powell is the one I immediately respond to, then, in order, Parker, Gillespie, Roach, and Mingus. And because of people like me, who notice the bass last, Charles Mingus (quite the character) insisted on overdubbing his bass lines, as one does when surrounded by four geniuses playing their asses off. My edition has an extra disc containing versions with said overdubs. I still don't hear a difference.
Oh, wait. Now I do!
This one takes a bit longer to sink in but once it does you're hooked for life.
A
Dr. Sir Warrior and the Oriental Brothers International: Heavy on the Highlife (2006)
This is a compilation covering 1973 to 1988 by three brothers from Nigeria who make Oasis and the Kinks seem like models of sibling harmony. Just for fun here's a (probably incomplete) list of the "Artist Names" that have been slapped on the several records where these six songs have appeared:
- Oriental Brothers
- Dan Satch Orchestra
- Dr. Sir Warrior
- Warrior
- African Brothers International
That's approximately one artist name per cut, which makes the Artist Name of this compilation a wonder of concision.
Why this record, you ask? Blame Robert Christgau, who is my go-to guy for all things Afropop-related. He's been listening to it for over four decades and, dilettante that I am, I know I'll never quite appreciate it at the historical/political level he does. The liner notes are quite helpful, though. Either way, it's no biggie when the music is this good.
I can hear the enthusiastic vocals and the more-detailed-every-time-you-hear-it guitar accompaniment. The songs veer from the short and sweet to the long and insistent. It will take a few listens to take in the details. But give it a chance and this 67-minute CD will flow by in no time.
In the Meantime...
Enjoy yet another heat wave. I'm sure everything is just fine.